Antigravity, 1980s edition. One of the best bands I’ve ever played in.

ANTIGRAVITY

Phil Scarff – tenor and soprano saxophones.
Bob Pilkington – trombone and percussion.
D. Wood – guitar and percussion.
Warren Senders – bass and percussion.
Rick Barry – percussion.
Tom MacDonald – drums.

Farewell Concert: September 23, 1983.
Old Cambridge Baptist Church, Cambridge, MA

This was an excellent band.

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18 Oct 2009, 9:58pm
Jazz music Warren's music
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  • Stuff from the Personal Vault: Laughing Moon

    The first “band” I ever really gigged with was a free-improvisation ensemble called Laughing Moon. I gather that there is a progressive rock band out there somewhere using that name, which is nice.

    I would bet good money, though, that they don’t sound anything like us.

    We started out as an ad hoc improvisation group that for a few gigs included guitarist Joe Morris and a drummer named Chris Harvey. Scott Southworth, Sharrhan Williamson (who was then called Beverly or Bev) and I all connected with a wonderful drummer named Tim Roberts. That went on for about nine months; I don’t remember what happened, exactly, but we changed drummers.

    Bryan Dennis was a terrific player with an unceasing flow of ideas. His shifting waves of time were tremendously influential in my early development as a bassist. The group played together in this configuration for perhaps a year, when it settled on its final incarnation as a trio.

    By its very nature, the music of Laughing Moon was not chock-full of popular appeal. But I recently had occasion to check out one of our old recordings, and I was quite pleasantly reminded of what fun we had, and of how much fun our music was. Now that I’ve found the old recordings (and now that my hard drive has been upgraded so I have room for these projects), I’ve begun putting together some of them with photos.

    Herewith, the first batch of Laughing Moon material, unheard since 1979. Thirty years ago, the three of us went into the broadcast studios at WBUR, on Steve Elman’s show “Spaces,” and broadcast a full set of our idiomatic free improvisations.

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    Jazz Photoblogging

    I love photographing musicians — probably because I’m a musician myself, and it’s a wonderful challenge to capture some of the immediacy of live performance on film.

    There have been two times in my life when I was really active in music photography.  Once in the mid-1980s when I was living in India, and had the chance to get pictures of many of the Subcontinent’s greatest artists in concert, in rehearsal, and in private.  And once in the mid-1970s when I was still in high school and had access to the school darkroom…and I took the Miranda SLR my father had given me to dozens of jazz concerts.

    I had made a firm decision that I would not use flash; I did not wish to disturb the musicians by popping flashbulbs while they played. So I used high-speed film, underexposed and overdeveloped (a procedure known as “pushing” – I used Tri-X, pushed to ASA 1600, for all you b&w old-timers out there).

    I got some good results, too. Here are a few images I’m particularly happy with:

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