{"id":6809,"date":"2013-10-27T22:11:17","date_gmt":"2013-10-28T02:11:17","guid":{"rendered":"http:\/\/www.warrensenders.com\/journal\/?p=6809"},"modified":"2013-10-27T22:13:12","modified_gmt":"2013-10-28T02:13:12","slug":"composers-improvisors-invent-your-own-raga","status":"publish","type":"post","link":"https:\/\/www.warrensenders.com\/journal\/composers-improvisors-invent-your-own-raga\/","title":{"rendered":"Composers &#038; Improvisors: Invent Your Own Raga!"},"content":{"rendered":"<p>This is a rough approximation of the content of my lecture-demonstration on raga.  This is how I introduce students in a university classroom to the underlying conceptual structure of raga-based melody:<\/p>\n<p>With a simple recipe for making our own raga.  <\/p>\n<p>Here&#8217;s what we do:<\/p>\n<p>Start with a tonic &#8211; fifth drone. Choose a second degree &#8211; either natural or flat. Choose a third degree &#8211; either natural or flat. Choose a fourth degree &#8211; either natural or sharp. Choose sixth and seventh degrees &#8211; either natural or flat.<\/p>\n<p>For example, let&#8217;s say we choose: <strong>1, b2, 3, #4, 5, 6, b7, 8.<\/strong><\/p>\n<p>Play or sing this for a few minutes over the drone to experience the intervals.<\/p>\n<p>Now, pick a number between 2 &#8211; 4. For example, 4.<br \/>\nPick a number between 5 &#8211; 7. For example, 7.<\/p>\n<p>Now we play\/sing the original scale, but this time OMIT 4 &#038; 7 on the way up, and include them on the way down. Thus:<\/p>\n<blockquote><p><strong>1, b2, 3, 5, 6, 8 \u2014 8, b7, 6, 5, #4, 3, b2, 1.<br \/>\n<\/strong><\/p><\/blockquote>\n<p>We play or sing this for a few minutes over the drone so we can learn the interval structure&#8230;the diminished triad ascending from the 2, the juicy diminished fourth that emerges on the way down between the b7 and the #4&#8230;all kinds of goodies are there to be found. Notice that certain phrases evoke ascent and others descent, giving improvisation a lot of motion.<\/p>\n<p>Just going this far generate a ton of beautiful material. But there is one more refinement we can make on the process which will make our &#8220;raga&#8221; hang together even better.<\/p>\n<p>Pick a group of three adjacent numbers. Any three; doesn&#8217;t matter. Let&#8217;s say we pick 5,6,7. Now&#8230;take those three notes, and make up a special tweak \u2014 just a little phrase, or a small shift in the sequence. For example, we&#8217;ll make the descent from the upper octave ALWAYS follow the rule 8, 6, b7, 5 \u2014 expressly forbidding a straight pathway.<\/p>\n<p>Mess around with this for a while and we&#8217;ll start generating melodies automatically. <\/p>\n<p>There is nothing special about this particular combination of intervals. <\/p>\n<p>There are many ragas in the Hindustani system which are entirely built from an ordinary major scale. <\/p>\n<p>In general, inside any raga, the more complex the intervals, the harder it is to *hear*; the more complex the rules of ascent\/descent\/tweaking, the harder it is to *think*.<\/p>\n<p>Mess around. See what you can come up with.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a rough approximation of the content of my lecture-demonstration on raga. This is how I introduce students in a university classroom to the underlying conceptual structure of raga-based melody: With a simple recipe for making our own raga. Here&#8217;s what we do: Start with a tonic &#8211; fifth drone. Choose a second degree [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[87,34,7,9,310],"tags":[1300,1299,116,1301],"class_list":["post-6809","post","type-post","status-publish","format-standard","hentry","category-education","category-india","category-indian-music","category-music","category-personal","tag-autodidacticism","tag-heuristics","tag-learning","tag-lecture-demonstrations"],"_links":{"self":[{"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/6809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/comments?post=6809"}],"version-history":[{"count":2,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/6809\/revisions"}],"predecessor-version":[{"id":6811,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/6809\/revisions\/6811"}],"wp:attachment":[{"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/media?parent=6809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/categories?post=6809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/tags?post=6809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}