{"id":3517,"date":"2011-06-30T09:46:52","date_gmt":"2011-06-30T13:46:52","guid":{"rendered":"http:\/\/www.warrensenders.com\/journal\/?p=3517"},"modified":"2011-06-27T08:44:39","modified_gmt":"2011-06-27T12:44:39","slug":"78-rpm-records-of-indian-music-bai-sundra-bai","status":"publish","type":"post","link":"https:\/\/www.warrensenders.com\/journal\/78-rpm-records-of-indian-music-bai-sundra-bai\/","title":{"rendered":"78 rpm Records of Indian Music: Bai Sundra Bai"},"content":{"rendered":"<p><a href=\"http:\/\/courses.nus.edu.sg\/course\/ellpatke\/Miscellany\/sundrabai.htm\">Bai Sundra Bai <\/a> was one of the most heavily recorded artists from the thumri culture of the early 20th century along with Gauhar Jan, Janki Bai and others.  Originally from Pune, her repertoire included Marathi bhavgeets along with thumris, ghazals and occasional khyal performances.  Her recording career extended into the late 1940s, with some work for films.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/i614.photobucket.com\/albums\/tt226\/WarrenSenders\/Hindustani%20Musicians\/sunderabaicopy.jpg\" alt=\"\" \/><\/p>\n<p>I enjoy these two thumri performances, both on fairly standard Krishna texts.  Both show her flexible voice and excellent taan technique; the Tilak Kamod in particular is very impressive.<\/p>\n<p>Tilak Kamod: &#8220;Avata hai giridhari&#8221;<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"390\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/tnA3FWSl5m4?version=3&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"480\" height=\"390\" src=\"http:\/\/www.youtube.com\/v\/tnA3FWSl5m4?version=3&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>Jhinjhoti: &#8220;Kanha charavata gaayi&#8221;<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"390\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/8tL-HuJox1M?version=3&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"480\" height=\"390\" src=\"http:\/\/www.youtube.com\/v\/8tL-HuJox1M?version=3&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bai Sundra Bai was one of the most heavily recorded artists from the thumri culture of the early 20th century along with Gauhar Jan, Janki Bai and others. Originally from Pune, her repertoire included Marathi bhavgeets along with thumris, ghazals and occasional khyal performances. Her recording career extended into the late 1940s, with some work [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,7,9,638],"tags":[895,936],"class_list":["post-3517","post","type-post","status-publish","format-standard","hentry","category-india","category-indian-music","category-music","category-vocalists","tag-near-genius","tag-thumri"],"_links":{"self":[{"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/3517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/comments?post=3517"}],"version-history":[{"count":4,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/3517\/revisions"}],"predecessor-version":[{"id":3519,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/3517\/revisions\/3519"}],"wp:attachment":[{"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/media?parent=3517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/categories?post=3517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/tags?post=3517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}