{"id":275,"date":"2009-10-27T23:05:37","date_gmt":"2009-10-28T03:05:37","guid":{"rendered":"http:\/\/www.warrensenders.com\/journal\/?p=275"},"modified":"2009-10-27T23:08:32","modified_gmt":"2009-10-28T03:08:32","slug":"playing-for-the-planet-the-agbekor-drum-and-dance-society","status":"publish","type":"post","link":"http:\/\/www.warrensenders.com\/journal\/playing-for-the-planet-the-agbekor-drum-and-dance-society\/","title":{"rendered":"Playing for the Planet: The Agbekor Drum and Dance Society"},"content":{"rendered":"<p>In 1979, I was running the scheduling at &#8220;Cambridge Custom Percussion,&#8221; the Cambridgeport neighborhood drum shop.  Selling the conga drums made by &#8220;Conga Jim&#8221; VanDenAkker and the ceramic dumbeqs of Betsy McGurk during the day, the shop changed into a small performance and teaching space.  I was twenty-one; the youngest member of the ad hoc collective that supposedly ran the place.  I was looking for teachers who were interested in giving classes in various styles of group drumming&#8230;and that&#8217;s how I met David Locke, recently returned from several years&#8217; study in Ghana.  He was already teaching at Tufts, but began a regular class at CCP.  That class took off; people loved the repertoire, and David was (and is) an exceptional teacher.  <\/p>\n<p>After a while, there was enough of a regular group that it became a repertory ensemble, the Agbekor Drum and Dance Society (eventually, if memory serves me right, incorporating as a 501(c)3 non-profit).  I was never personally interested in learning the master drum parts; all I really wanted to do was play the <em>kagan<\/em>, the small high-pitched drum which fills in the offbeats in Ewe music.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/i614.photobucket.com\/albums\/tt226\/WarrenSenders\/Playing%20for%20the%20Planet\/DSC00658.jpg\"width=450\/><\/p>\n<p><!--more--><\/p>\n<p>During the second half of the 80s I lost touch with the group; most of the time I was in India, which precluded participation.  For a while the Society was dormant, as old members moved away and the numbers dwindled. A decade later, however, Agbekor came together again, and since the mid-90s the group has been meeting regularly, with a mix of old and and new members.  <\/p>\n<p>I still want to play <em>kagan<\/em> more than any other drum, and on Saturday I got my wish.  If you watch the five videos you&#8217;ll see that there&#8217;s only one person who never changes seats.  That&#8217;d be me.<\/p>\n<p>It was a perfect finale for the evening.  I particularly enjoy the sight of our daughter sitting in yogic posture, perfectly calm and still while the drums roared around her.<\/p>\n<p>Piece number one: &#8220;Husago,&#8221; with Tom MacDonald on lead drum.<br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/gh81JhGC0A8&#038;hl=en&#038;fs=1&#038;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/gh81JhGC0A8&#038;hl=en&#038;fs=1&#038;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p>Piece number two: &#8220;Agbadza,&#8221; with David Locke on lead drum.<br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/o0acOmg9isE&#038;hl=en&#038;fs=1&#038;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/o0acOmg9isE&#038;hl=en&#038;fs=1&#038;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p>Piece number Three: &#8220;Adjogbo,&#8221; featuring Faith Conant on Atsimevu<br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/BGxlEqvlfZE&#038;hl=en&#038;fs=1&#038;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/BGxlEqvlfZE&#038;hl=en&#038;fs=1&#038;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p>Piece number four: &#8220;Slow Agbekor,&#8221; with David Locke on Atsimevu.<br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/5SAwxaFmNjQ&#038;hl=en&#038;fs=1&#038;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/5SAwxaFmNjQ&#038;hl=en&#038;fs=1&#038;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p>Piece number five: &#8220;Gahu,&#8221; with Ben Paulding on lead drum.<br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/KcPl1wy8Ih0&#038;hl=en&#038;fs=1&#038;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/KcPl1wy8Ih0&#038;hl=en&#038;fs=1&#038;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1979, I was running the scheduling at &#8220;Cambridge Custom Percussion,&#8221; the Cambridgeport neighborhood drum shop. Selling the conga drums made by &#8220;Conga Jim&#8221; VanDenAkker and the ceramic dumbeqs of Betsy McGurk during the day, the shop changed into a small performance and teaching space. I was twenty-one; the youngest member of the ad hoc [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,8,32],"tags":[50,51,53],"class_list":["post-275","post","type-post","status-publish","format-standard","hentry","category-music","category-action","category-warrens-music","tag-african-music","tag-ewe-music","tag-ghana"],"_links":{"self":[{"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/comments?post=275"}],"version-history":[{"count":6,"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/275\/revisions"}],"predecessor-version":[{"id":282,"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/posts\/275\/revisions\/282"}],"wp:attachment":[{"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/media?parent=275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/categories?post=275"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.warrensenders.com\/journal\/wp-json\/wp\/v2\/tags?post=275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}