Jazz Photoblogging

I love photographing musicians — probably because I’m a musician myself, and it’s a wonderful challenge to capture some of the immediacy of live performance on film.

There have been two times in my life when I was really active in music photography.  Once in the mid-1980s when I was living in India, and had the chance to get pictures of many of the Subcontinent’s greatest artists in concert, in rehearsal, and in private.  And once in the mid-1970s when I was still in high school and had access to the school darkroom…and I took the Miranda SLR my father had given me to dozens of jazz concerts.

I had made a firm decision that I would not use flash; I did not wish to disturb the musicians by popping flashbulbs while they played. So I used high-speed film, underexposed and overdeveloped (a procedure known as “pushing” – I used Tri-X, pushed to ASA 1600, for all you b&w old-timers out there).

I got some good results, too. Here are a few images I’m particularly happy with:

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A Blast from the Past: Anant Manohar Joshi (1881-1967)

Here are four short performances by Pandit Anant Manohar Joshi, also called “Antubuwa.” Disciple of Balakrishnabua Ichalkaranjikar and “Bhugandharva” Ustad Rahmat Khan. Guru of Dr. S.N. Ratanjankar; father and guru of Pandit Gajananrao Joshi. Anant Manohar Joshi was born in Kinhai village, March 8, 1881. His father Manoharbuwa had learned classical styles from Raojibuwa Gogte of Ichalkaranji, and became a court musician at Aundh. He died when Anant was seven. Antubuwa became one of the top-most performers of traditional Gwalior style khyal, although he never achieved the fame of his guru-bhai, Vishnu Digambar Paluskar. “A powerful voice, daanedaar taans, and clear pronunciation of words characterised his rich and systematic style” according to Susheela Mishra (”Some Immortals of Hindustani Music”). He died in Bombay on September 12, 1967.

These short performances show Antubuwa at the end of his career. His voice is no longer flexible and his intonation is somewhat coarse, but the vigorous spirit remains.

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What music will become extinct?

Every day, more bad news on climate change.

Fortunately, we’ve recently begun to initiate the process of agreeing on a framework for the development of a concept that will allow us to frame the discussion which will impact the structuring of a procedure for developing a methodology that makes it possible to begin to finally PAY SOME ATTENTION TO A GLOBAL CRISIS!

I am not a climate scientist. I’m a scientifically literate musician. Climate change scares me for dozens of reasons. And it makes me deeply and terribly sad.

With rising sea levels, many island nations will lose much of their land, or even cease to exist. Which brings me to tonight’s question:

What music will become extinct?

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